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Chapter 7 Three Girls from School by L. T. Meade

The Poet
The days which passed between the occurrences related in the last chapter and the great prize day went on wings. The girls were all exceedingly busy. If there were many prizes to be won, and there was hard work beforehand to win them, there was the thought, too, of the long and delightful summer holidays to gladden each young heart; the reunion with fathers and mothers and brothers and sisters; the pleasures of the seaside resort or the country house; the knowledge that lessons, however useful in themselves, might be put away for six long, delightful weeks.

The girls were in the best of humour; and, as though Nature herself were in sympathy with them, the sun rose day by day in a cloudless sky, the flowers bloomed in more and more profusion, and the whole world seemed preparing for a grand holiday. Lyttelton School was famed for its roses, and the profusion of roses that blossomed during this special summer was long remembered by every member of the school.

Mabel Lushington was not a girl especially remarkable for conscientiousness. She was now completely under Annie’s spell, who, having won her point, was determined that there should not be a single flaw in her grand scheme. Her whispers about Mabel had spread a rumour in the school that Mabel Lushington, who had long been remarkable for her fine figure, handsome face, and a certain haughtiness of bearing, was also exceedingly clever. It is no easy matter to convert a girl who has hitherto been renowned as a dunce into a genius. Nevertheless, clever Annie managed to effect this object.

“She writes such good verses, you know,” Annie said first to one girl, and then to another; and as Mabel had been forewarned on the subject, she was not taken by surprise when the girls used to crowd round her and beg to see some specimens of her art.

“Oh, I can’t, I can’t!” Mabel would say, blushing and even giggling a little. “Don’t, don’t ask me; I should die of shame.”

These were her invariable retorts, and, as a rule, she managed to excuse herself with a certain amount of success. But schoolgirls are tenacious. The subject of Mabel’s gift for poetry became the general talk of the school, and finally a whole bevy of girls waited on Miss Lushington with the request that she would allow them to sample her poems.

“The fact is,” said Constance Smedley, “seeing is believing. You most read us something, Mabel; you really must.”

Mabel found herself turning pale, and Constance, who was a remarkably keen observer of character, noted the fact. Annie was nowhere within reach. Mabel began to feel as though a torture-screw were put on.

“Come, Mabel,” said Constance, “it is but fair. We love poetry, and will not be hard on you.”

“What I think is this,” said another girl. “Mabel is a satirist; she has been laughing at us all in her sleeve. She writes about us, and doesn’t want us to know.—Come, May, I know that is the case, otherwise you would not be so red.”

“She was pale a minute ago,” said Constance.—“What are you changing colour about, you silly old May? We won’t mind whether you satirise us or not. Come, get your verses.”

“I—I—can’t; I—won’t,” said Mabel. She had not an idea what the girls meant when they spoke of her as a satirist. She wished herself far away. As she said afterwards, she could have sunk through the ground at that moment. Her tortures were at their height when Annie Brooke appeared. Annie and Priscilla were crossing the lawn arm-in-arm. Annie had been talking eagerly. Priscilla, very grave and quiet, was replying in monosyllables. Suddenly Priscilla looked up.

“What is the matter with Mabel?” she said.

“How queer she looks!”

“I had best go to her, I suppose,” said Annie. “She is such an old silly that unless I keep by her side she is sure to do some thing wrong.”

“Here you are, Annie,” cried Constance. “Now you will be on our side. You have assured us that Mabel is not the dunce of the school, but the genius.”

“So she is,” said Annie indignantly. “Who dares to deny it?”

“None of us,” said Constance; “only we want proof.”

“What do you mean?” said Annie, still quite calm in appearance, but feeling a little uncomfortable nevertheless.

“We want proof,” repeated Constance.

“Yes,” said Agnes—“proof.”

“Proof, proof!” echoed several other voices. “Mabel writes verses—very clever verses. We want to see them.”

“So you shall,” said Annie at once.

“Oh Annie, I won’t show them,” said poor Mabel.

“Nonsense, May! that is absurd. Girls, you can see them to-morrow afternoon. To-morrow is our half-holiday; Mabel will read her verses aloud herself to you at four o’clock to-morrow on this identical spot. She has no time now, for the gong has just sounded for tea.”

Mabel turned a flushed, surprised face towards Annie. Priscilla stood perfectly still in unbounded astonishment. The girls were not quite satisfied; still, there was nothing to complain of. They must go to tea now. Immediately after tea school-work would recommence; there would not be a moment of time to read the verses before the following day. Annie, leaving Mabel to her fate, marched into the house, her hand on Constance Smedley’s arm.

“I am glad I came out,” she said. “Poor May is quite abnormally sensitive on the subject of her verses.”

“Nonsense!” said Constance. “If she writes verses she won’t mind our seeing them.”

“She ought not to mind; and if she were an ordinary girl she would not,” said Annie. “But, you see, she is not ordinary. There is many a girl with a genius who, as regards other matters, is even a little silly. The fact is, Mabel is frightened of her own talent.”

“Well, we are glad you came up, for we are quite determined to get a specimen of our genius’s work,” said Constance.

“You shall know all about it; she will read them to you herself. Ta-ta for the present.”

Annie marched to her own place at the tea-table, and nothing more was said. But she was not comfortable. She had got herself and her unfortunate friend into a hornet’s nest. Verses of some sort must be produced; but how? Annie could not write the most abject doggerel. Clever enough with regard to her prose, she was hopeless as a rhymster. Perhaps Priscie could do it. Annie looked wildly at Priscie, but as she looked even this hope faded away. She had had a conversation with that young lady on that very afternoon, and Priscie, although she was to have her extra year at school—for everything was quite arranged now—did not seem to be happy about it. She had even gone to the length of telling Annie that she would prefer learning how to manage a farm-house or becoming a country dressmaker to staying on at Lyttelton School under the present conditions. Annie had assured her that if she failed them now, the mischief she would do would be so incalculable that it would practically never end, and Priscilla had been quieted for the time being. But Priscilla’s conscience must not be further tampered with; Annie was resolved on that point. What, oh! what was she to do?

During the rest of that evening, while apparently busy over her studies, the mind of Annie Brooke was in a whirl. In what sort of way was she to fulfil her promise made to all those odious girls that Mabel would read her verses aloud? She saw that the girls were already slightly suspicious. She knew it was all-important for Mabel’s success when she won the literary prize that the girls’ minds should be already prepared with regard to her genius. If they were really satisfied that she wrote even moderately good verse, they would accept without comment the fact that she had won the prize over Priscilla’s head. But how—oh! how—in what sort of fashion were these verses to be produced?

Annie was in the mood when she would have stopped short at very little. Could she have safely pilfered the verses of anybody else she would have done so; but there was no great store of poetry at the school. The few books out of which the girls learned their different pieces for recitation were too well-known to be tampered with, and yet Annie must do something. Her head ached with the enormity of the task which she had so unwittingly undertaken. Why, oh! why had she started that awful idea of Mabel’s poetical genius in the school? Far better would it have been even to have the girls’ suspicions slightly aroused by the excellence of her prize essay. Poor Annie had not only to think of this and to solve the riddle set her, but she had to appear before the eyes of her schoolfellows as utterly calm and cool. She was at her wits’-end, and certainly matters were not improved when Mabel that night tapped at her wall—the signal that the girls had arranged between them when it was necessary for one to speak to the other.

It was about eleven at night when Annie, feeling miserable beyond words, crept into Mabel’s room. Mabel was sitting up in bed with all her fine hair hanging about her shoulders.

“I have not had a minute to speak to you before,” said Mabel. “You know perfectly well, Annie, that I never wrote a line of poetry in my life. I can’t abide the stuff; I can’t even read it, far lees write it. And now what is to be done? You are going to produce a specimen of my verse which I am to read aloud before all those odious girls to-morrow!”

“Oh, I’ll manage it,” said Annie; “only don’t keep me now, May. I had to start that little rumour in order to make it all safe for you on prize day. You don’t suppose, darling did May, that I have brought you as far as this with such wonderful success in order to desert you now? You leave it to me, May Flower. I’ll manage it for you somehow.”

Mabel lay back on her pillow. “I did get an awful fright,” she said. “I can’t tell you how terrible it was when they all clustered round me, and Agnes remarked one thing about me, and Constance another. Agnes said I was a satirist. What on earth is a satirist, Annie?”

“Oh, not you, darling, at any rate,” said Annie, kissing her friend. “Poor May! that is the very last thing you could ever be.”

“I know you think me very stupid,” said Mabel in an offended tone. “It is too awful to give a girl the imputation of a genius, when you know all the time that she is an absolute fool.”

“A very pretty one, at any rate,” said Annie, kissing her friend again. “You’re not offended, silly May, because I said you were not a satirist? Why, a satirist is an awful creature, dreaded by everybody. A satirist is a person who makes fun of her best friends. Now, you would never make fun of your own Annie, would you?”

“No, indeed! I am glad I am not a satirist,” said May. “What a horror those girls must think me!”

“Go to by-by now, May, and leave me to settle things for you,” said Annie; and she crept back to her own bed.

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